‘Diary of a Cure for the Evil Eye’ June 11th to June 17th, 2018 New York City   Archival pigment print, mounted between one-inch thick plexiglass and aluminum  17 x 66 in. (42 x 165 cm.)

‘Diary of a Cure for the Evil Eye’ June 11th to June 17th, 2018 New York City

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

17 x 66 in. (42 x 165 cm.)

  Diary I (after Rorschach),  2018  Archival pigment print, mounted between one-inch thick plexiglass and aluminum  16 x 16 in. (40 x 40 cm.)

Diary I (after Rorschach), 2018

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

16 x 16 in. (40 x 40 cm.)

  Diary II (after Rorschach)    Archival pigment print, mounted between one-inch thick plexiglass and aluminum  16 x 16 in. (40 x 40 cm.)

Diary II (after Rorschach)

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

16 x 16 in. (40 x 40 cm.)

  Diary III (after Rorschach),  2018   Archival pigment print, mounted between one-inch thick plexiglass and aluminum  16 x 16 in. (40 x 40 cm.)

Diary III (after Rorschach), 2018

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

16 x 16 in. (40 x 40 cm.)

  Diary IV (after Rorschach),  2018   Archival pigment print, mounted between one-inch thick plexiglass and aluminum  16 x 16 in. (40 x 40 cm.)

Diary IV (after Rorschach), 2018

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

16 x 16 in. (40 x 40 cm.)

Installation view
Installation view

Under the Black Sun, 1991-1993 (left) and Diary of a Cure for the Evil Eye, 2018 (right)

  ‘Diary of a Cure for the Evil Eye’ June 11th to June 17th, 2018 New York City   Archival pigment print, mounted between one-inch thick plexiglass and aluminum  17 x 66 in. (42 x 165 cm.)
  Diary I (after Rorschach),  2018  Archival pigment print, mounted between one-inch thick plexiglass and aluminum  16 x 16 in. (40 x 40 cm.)
  Diary II (after Rorschach)    Archival pigment print, mounted between one-inch thick plexiglass and aluminum  16 x 16 in. (40 x 40 cm.)
  Diary III (after Rorschach),  2018   Archival pigment print, mounted between one-inch thick plexiglass and aluminum  16 x 16 in. (40 x 40 cm.)
  Diary IV (after Rorschach),  2018   Archival pigment print, mounted between one-inch thick plexiglass and aluminum  16 x 16 in. (40 x 40 cm.)
Installation view

‘Diary of a Cure for the Evil Eye’ June 11th to June 17th, 2018 New York City

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

17 x 66 in. (42 x 165 cm.)

Diary I (after Rorschach), 2018

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

16 x 16 in. (40 x 40 cm.)

Diary II (after Rorschach)

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

16 x 16 in. (40 x 40 cm.)

Diary III (after Rorschach), 2018

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

16 x 16 in. (40 x 40 cm.)

Diary IV (after Rorschach), 2018

Archival pigment print, mounted between one-inch thick plexiglass and aluminum

16 x 16 in. (40 x 40 cm.)

Installation view

Under the Black Sun, 1991-1993 (left) and Diary of a Cure for the Evil Eye, 2018 (right)

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