‘Diary of a Cure for the Evil Eye’ June 11th to June 17th, 2018 New York City
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
17 x 66 in. (42 x 165 cm.)
Diary I (after Rorschach), 2018
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
16 x 16 in. (40 x 40 cm.)
Diary II (after Rorschach)
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
16 x 16 in. (40 x 40 cm.)
Diary III (after Rorschach), 2018
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
16 x 16 in. (40 x 40 cm.)
Diary IV (after Rorschach), 2018
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
16 x 16 in. (40 x 40 cm.)
Under the Black Sun, 1991-1993 (left) and Diary of a Cure for the Evil Eye, 2018 (right)
‘Diary of a Cure for the Evil Eye’ June 11th to June 17th, 2018 New York City
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
17 x 66 in. (42 x 165 cm.)
Diary I (after Rorschach), 2018
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
16 x 16 in. (40 x 40 cm.)
Diary II (after Rorschach)
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
16 x 16 in. (40 x 40 cm.)
Diary III (after Rorschach), 2018
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
16 x 16 in. (40 x 40 cm.)
Diary IV (after Rorschach), 2018
Archival pigment print, mounted between one-inch thick plexiglass and aluminum
16 x 16 in. (40 x 40 cm.)
Under the Black Sun, 1991-1993 (left) and Diary of a Cure for the Evil Eye, 2018 (right)